Category Archives: Films

Pride and passion: Pina Menichelli in Il padrone delle ferriere (1919)

Aristocracy, hubris, and hauteur: these are the main ingredients in Itala-Film’s Il padrone delle ferriere | The Master of the Ironworks (1919), starring the majestic Pina Menichelli. I’d intended to cover another 1917 film in this Diva December entry, but when the Museo … Continue reading

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The dream and the myth: Il fauno | The Faun (IT 1917)

Do not flee from me, for I am love. In his character’s introduction, Febo Mari sets the tone for this phantasmic film in which desire and mythology intertwine. In a reverse Pygmalion scenario, an artist’s model, her sculptor-love unfaithful to … Continue reading

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Diva December begins with a rainbow

It’s that time of year again! In Diva December, now in its fourth edition, I look at examples of the ‘diva film’, or the genre of decadent female-led melodramas that were a mainstay of Italian cinema of the 1910s. I’ve outlined … Continue reading

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A rainbow of silent film

Regular readers will have noticed that things have been pretty quiet around Silents, Please! for the last year or so. Partly, this was because I channelled a lot of energy into researching, writing and drawing my Feminist Media Histories article: a very … Continue reading

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London Symphony approaches

Almost three years ago, I posted about London Symphony, a contemporary silent film production by British filmmaker Alex Barrett. For this project, Barrett has revived the silent-era genre of the city symphony—a cinematic portrait of a city, more poetic evocation than … Continue reading

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I act, therefore IAM: Italia Almirante Manzini in Notte di tempesta (1916)

Italia Almirante Manzini was a major diva of the Italian silents who has, so far, been mentioned on this blog only briefly. I like her a lot—she’s always fun and engaging to watch. Despite a stately appearance, I perceive a certain gentle wryness … Continue reading

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Lina Cavalieri in Sposa nella morte! | The Shadow of Her Past (IT 1915)

Known as “the most beautiful woman in the world”, opera singer Lina Cavalieri starred opposite Caruso, was fêted by D’Annunzio, and was painted by Boldini. She began her career singing in the café-chantants of Rome, Naples, and Paris; rising to … Continue reading

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