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Recent Posts
- The fallibility of film history: Valeria Creti unmasked as Filibus
- Il cinema ritrovato 2018 in review
- Bologna-bound: Il cinema ritrovato 2018
- Buster on the big screen: a visit to the delightful Time Cinema
- The perilous camera-eye: El sexto sentido | The Sixth Sense (ES 1929)
- Coda to Valentine’s Day: silent film postcards
- Power couples of Italian silent film
- Pride and passion: Pina Menichelli in Il padrone delle ferriere (1919)
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Tag Archives: film form
Mistinguett on film: three shorts
Mistinguett must be considered one of France’s great entertainers. Born Jeanne Florentine Bourgeois in 1875, in the early twentieth century she was a huge star of the French music hall, lighting up the stage of such legendary venues as the Moulin … Continue reading
Cinematic poetry: “Silents” by Claire Crowther
A recurring dream about speechlessness, the visage of Renée Jeanne Falconetti in La Passion de Jeanne d’Arc, the sight of voices without sound—these elements were the genesis of a recent poetry book, Silents, by Claire Crowther. Finding herself intensely moved … Continue reading
Posted in Books
Tagged books, Claire Crowther, film form, nitrate film, poetry, Renée Jeanne Falconetti
2 Comments
Навесні | In Spring (UkrSSR 1930)
It is September the first, so spring has officially sprung! (In the southern hemisphere, at least). Therefore, it’s the perfect time to take a look at the Ukrainian film Навесні (Navesni); known in English as In Spring, and also known by its Russian title Весной … Continue reading
Сумерки женской души | The Twilight of a Woman’s Soul (RU 1913)
I was pleasantly surprised to find that The Twilight of a Woman’s Soul is a misnomer for this story: a more accurate title might be The Strength of a Woman’s Soul, or indeed, The Twilight of a Man’s Soul. The plot … Continue reading
Posted in Film
Tagged cinema of 1913, cinema of Russia, dangerous female sexuality, excellent women, film form, Nina Chernova, Yevgeni Bauer
7 Comments
Rest in pieces … Mary Jane’s Mishap (GB 1903)
I recently rewatched one of the greatest of early films, Mary Jane’s Mishap, or Don’t Fool with Paraffin (Here Lies Mary Jane Who Lighted the Fire with Paraffin). It was directed by George Albert Smith, noted as the inventor of … Continue reading
Posted in Film
Tagged Asta Nielsen, cinema of England, cinema of the 1900s, excellent women, film form, George Albert Smith, Laura Bayley, my kind of comedy, poetry
6 Comments
После смерти | After Death (RU 1915)
For me, Yevgeni Bauer is one of the cinematic greats of the teens, and indeed of silent cinema in general. In a word, his films are elegant. Always beautifully composed in terms of framing, editing, and mise-en-scène, most of his … Continue reading
Звенигора | Zvenyhora (UkrSSR 1927)
Earlier this year, I managed to get hold of the DVD boxset Ukrainian Re-Vision (Укрїнське Німе), published by the State Film Agency of Ukraine in collaboration with the Oleksandr Dovzhenko Film Centre in Kyiv. It’s a wonderful publication: six restored … Continue reading