-
-
Recent Posts
- The fallibility of film history: Valeria Creti unmasked as Filibus
- Il cinema ritrovato 2018 in review
- Bologna-bound: Il cinema ritrovato 2018
- Buster on the big screen: a visit to the delightful Time Cinema
- The perilous camera-eye: El sexto sentido | The Sixth Sense (ES 1929)
- Coda to Valentine’s Day: silent film postcards
- Power couples of Italian silent film
- Pride and passion: Pina Menichelli in Il padrone delle ferriere (1919)
Films by year
Films by place
Topics
Meta
Follow via RSS
Tag Archives: diva films
Il cinema ritrovato 2018 in review
Six weeks after the fact, you say? From the Department of Better Late than Never comes my recap of Il cinema ritrovato 2018: a wonderful festival of archival film of all eras and countries. Spoiler alert: I had a blast!
Pride and passion: Pina Menichelli in Il padrone delle ferriere (1919)
Aristocracy, hubris, and hauteur: these are the main ingredients in Itala-Film’s Il padrone delle ferriere | The Master of the Ironworks (1919), starring the majestic Pina Menichelli. I’d intended to cover another 1917 film in this Diva December entry, but when the Museo … Continue reading
Posted in Film
Tagged Amleto Novelli, cinema of 1919, cinema of Italy, diva films, Lina Millefleurs, Museo Nazionale del Cinema, Pina Menichelli
5 Comments
The dream and the myth: Il fauno | The Faun (IT 1917)
Do not flee from me, for I am love. In his character’s introduction, Febo Mari sets the tone for this phantasmic film in which desire and mythology intertwine. In a reverse Pygmalion scenario, an artist’s model, her sculptor-love unfaithful to … Continue reading
Posted in Film
Tagged cinema of 1917, cinema of Italy, diva films, Elena Makowska, Febo Mari, Nietta Mordeglia
4 Comments
Diva December begins with a rainbow
It’s that time of year again! In Diva December, now in its fourth edition, I look at examples of the ‘diva film’, or the genre of decadent female-led melodramas that were a mainstay of Italian cinema of the 1910s. I’ve outlined … Continue reading
I act, therefore IAM: Italia Almirante Manzini in Notte di tempesta (1916)
Italia Almirante Manzini was a major diva of the Italian silents who has, so far, been mentioned on this blog only briefly. I like her a lot—she’s always fun and engaging to watch. Despite a stately appearance, I perceive a certain gentle wryness … Continue reading
Posted in Film
Tagged cinema of 1916, cinema of Italy, diva films, EFG, Italia Almirante Manzini
7 Comments
Lina Cavalieri in Sposa nella morte! | The Shadow of Her Past (IT 1915)
Known as “the most beautiful woman in the world”, opera singer Lina Cavalieri starred opposite Caruso, was fêted by D’Annunzio, and was painted by Boldini. She began her career singing in the café-chantants of Rome, Naples, and Paris; rising to … Continue reading
Posted in Film
Tagged cinema of 1915, cinema of Italy, diva films, Emilio Ghione, floral symbolism, Lina Cavalieri, nitrate damage
1 Comment
Diva ‘December’ returns – Fabienne Fabrèges in Signori giurati … (1916)
Welcome to (the now well-misnamed) Diva December! In this series, I look at examples of the Italian diva film, a genre that proliferated in 1910s Italy—for an overview, click here. This first instalment is devoted to a relatively obscure title, … Continue reading
Posted in Film
Tagged cinema of 1916, cinema of Italy, dangerous female sexuality, diva films, EFG, Fabienne Fabrèges, female director
13 Comments
Diva December delayed!
Regular readers will know that in December, I usually publish a series of articles on the films of the Italian divas. Due to a heavy workload right now, I have to postpone this until early next year – so please … Continue reading
Casa Lyda Borelli in Bologna
Lyda Borelli was already a celebrated theatrical actress and fashion icon when she burst into film with the seminal Ma l’amor mio non muore! (But my love will never die!; 1913). Her cinematic career was relatively sparse—over six years, she only … Continue reading
Stacia Napierkowska on film
As dancer Marfa Koutiloff in Les Vampires (FR 1915-16), Stacia Napierkowska gave the silent cinema one of its most iconic images: a woman in a black bodystocking and great black bat wings, stretching and swirling as if to take flight. Later, she … Continue reading