Category Archives: Misc

Reflections on writing and research: Fluffy Ruffles, women in silent cinema, and gaps in film history

Earlier this year, I posted about a film/media history article I’d published in the journal Feminist Media Histories, entitled “From the New York Herald to the Italian screen: Fluffy Ruffles, la donna americana”. The article traced the history of 1907-9 … Continue reading

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Even more question marks in Italian silent film advertising

Over the course of my research, I’ve noticed on a delightful quirk of Italian silent film advertising: a prominent and often repetitious use of question marks to build anticipation and enthusiasm for future film releases. I’ve shared examples annually for … Continue reading

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A rainbow of silent film

Regular readers will have noticed that things have been pretty quiet around Silents, Please! for the last year or so. Partly, this was because I channelled a lot of energy into researching, writing and drawing my Feminist Media Histories article: a very … Continue reading

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Announcing a publication!

Not long ago, a major project of mine came to fruition. A chance infatuation with the adverts for a particular film grew into a fruitful research project which involved early newspaper comic strips, international media coverage, and two Italian silent films. … Continue reading

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Now on the Media History Digital Library: several of my film magazines

Well, when I say ‘now’, I mean ‘several months ago’. Last year, I went on holiday to Europe (including taking in Il Cinema Ritrovato), and while in the Netherlands, I picked up several issues of the Dutch journal Cinema en Theater … Continue reading

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Diva December delayed!

Regular readers will know that in December, I usually publish a series of articles on the films of the Italian divas. Due to a heavy workload right now, I have to postpone this until early next year – so please … Continue reading

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Casa Lyda Borelli in Bologna

Lyda Borelli was already a celebrated theatrical actress and fashion icon when she burst into film with the seminal Ma l’amor mio non muore! (But my love will never die!; 1913). Her cinematic career was relatively sparse—over six years, she only … Continue reading

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